FULL CONCERT with Joey DeFrancesco live at the Old Mill Inn [Listen 1 hr 52 min] S02 Ep07 (3 of 3) Channeling Miles with Joey DeFrancesco
Interview Date: March 25, 2012 @7pm EDT
Special Podcast: Joey DeFrancesco Live at The Old Mill Inn
Special Guest: Joey DeFrancesco (Part 3 of 3) Nicknamed “the finest jazz organist on the planet,” Joey DeFranceso and GTV present you with an exclusive and in-depth interview, plus his full concert performance in Toronto.
Coming from a long line of established organ players, DeFrancesco started his career off as a child prodigy (starting at age 4) playing with all the greatest organists in the world. He has developed his skill to the point where he dominates the Hammond B3. When DeFrancesco was 17, Miles Davis called him up to ask him to tour with him and play on his 1989 album, “Amandla.” Since that time he has gone on to play with many other "who’s who" in the jazz world, and often being paired with some of the greatest guitarists in jazz, such as; Pat Martino, Paul Bollenback, Jimmy Bruno, Dave Stryker, and John McLaughlin. In this podcast, listen to his full concert performance at The Old Mill Inn in Toronto. It's only available here at GoingThruVinyl.
Check out Joey DeFrancesco's page http://www.joeydefrancesco.com/
Joey DeFrancesco's band for the performance:
He is known as the drummer and founding member for the Toronto based band "5 after 4" and is an absolute monster in this show. In between sets (about halfway through) you can hear Rezza say to Joey something about "getting all emotional" about Joey's ablity to channel Miles Davis with his horn. Although I couldn't agree with Rezza more, I think Rezza is channeling other famous jazz players himself (notably, Art Blakey). I also thought I might comment on the band: the night of the taping, I happened to be pretty nervous and was overly worried about placing the recorder in the right spot to record the show (I only had one shot at it). Vito Rezza and the rest of the band were really kind and helpful (Rezza was as cool as they come). Thanks for your help; the recording came our great!
Quinlan is one of Canada's best jazz guitarists and teacher. In this set, his playing is as absolutely cool, smooth, and refined (cool as a cucumber salad in a Canadian winter). He is both a session player and the head of the Guitar Department at Humber Collage in Toronto. He has played with Chet Baker, Freddie Hubbard, Jimmy Smith, Michael Brecker, Dave Holland, Maria Schneider and Dave Liebman. Needless to say, this guy can really play.
Lastly, I'd like to thank the Old Mill Inn for allowing me to record there. If you are in the Toronto area you might want to check the schedule of the Inn to see who is playing; they have some of the best jazz acts in the city. The rooms are nice, the food is great, the decor is what you'd expect of a classy jazz club. http://www.oldmilltoronto.com/
The Soul Jazz Chayot Ha Kodesh and debate primer
It seems that a heated debate occurs whenever a genre of music gets a label attached to it. It gets fuelled by whichever adherent or so-called expert who chooses to pick up the sword and dive into what defines the genre, what constitutes it, and what nuance necessarily makes someone or some composition excluded from the genre. Such is the case with soul jazz and hard bop. Whether soul jazz is actually hard bop and the reasons why or why not is not going to be debated here. What I want to focus on here, is some of the history and highlights. Despite which side of the battle lines you fall, the legends and landmarks introduced here have left an impact regardless where you wish to pigeon-hole them. For those who know them already, take it as a tribute and a reminder to pull them out again for a spin on the turntable, for those who don't know everyone on the list, take it as an introduction into the highlights of what jazz was producing from the glory days. For those who are discovering (or rediscovering) the Beastie Boys, you may want to pay attention; the impact some of these artists have had on the Beastie Boys' music is pretty distinct. From “Groove Holmes” from Check Your Head to Jimmy Smith's “Root Down” and a smattering of samples throughout, the degree of separation is a small one from the soul jazz greats to the Beastie Boys